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Browse the entire list of Rencontre Internationales artists since 2004. Use the alphabetical filter to refine your search.  update in progress  
Arthur tuoto
Catalogue : 20144xELEPHANT | Vidéo | hdv | couleur | 3:0 | Brésil | 2014
Arthur tuoto
4xELEPHANT
Vidéo | hdv | couleur | 3:0 | Brésil | 2014

By placing side by side four sequences from the movie Elephant (2003), by Gus Van Sant, the work explores the simultaneous actions in the film, revealing elliptical nuances in its filmic dispositif.

Arthur Tuoto works between visual art and cinema, producing a variety of works from video installations to experimental short and feature films. From appropriations to others audiovisual recontextualizations, the filmmaker`s body of work seeks to explore, by resignifying pre-existing materials, new possibilities in the audiovisual language, as well as to question the concept of intellectual property and authorship.

Christin turner
Catalogue : 2017What Happens to the Mountain | Fiction expérimentale | hdcam | couleur | 12:9 | USA | 2016
Christin turner
What Happens to the Mountain
Fiction expérimentale | hdcam | couleur | 12:9 | USA | 2016

“ What Happens to the Mountain ” draws upon literary sources, late night radio, and ancient legends to conjure a psycho-geographic experience in a sacred landscape. A long-distance driver, a drifter, journeys from a tenuous reality into a vision of the afterlife, called forth by the spirit of the mountain.

Christin Turner (1985, USA) is a filmmaker and artist based in Boulder, Colorado by way of Southern California. Her films navigate the psychological terrains of landscape, material, and image; they investigate the possibilities of cinema as a site for transcendence.

Raewyn turner, colin beardon
Catalogue : 2006World Tree | Création numérique | 0 | couleur | 4:30 | Nouvelle-Zélande | 2005
Raewyn turner , colin beardon
World Tree
Création numérique | 0 | couleur | 4:30 | Nouvelle-Zélande | 2005

World Tree parle de la notion contemporaine d´'information'. Nous nous raccrochons à des textes écrits, croyant que nous pouvons en extraire toutes les significations, nous gardons des tonnes de supports écrits ou imprimés que nous ne lirons jamais mais qui nous donnent un faux semblant de sécurité. World Tree joue de ce phénomène, en nous laissant entrevoir des textes intrigants mais qui se désintègrent devant nos yeux. Les fragments dérivent comme les faits d´une histoire dont on se rappellerait mal. On promet le savoir, mais il se défile. La juxtaposition de textes écrits par l´auteur seul (formant le tronc et le feuillage) et de textes d´autres provenances (formant les fleurs et les pétales) est concue pour mettre en avant les tensions entre nos sensations subjectives et un univers auquel on accède en utilisant la communication numérique (qui émane de différents sites internet comme l´astronomie amateur, techniques de culture tissulaire et cellulaire). World Tree fait entrer la langue visuelle de l´'information', la tissant en une expérience synésthesique du monde physique. Nous comprenons le monde de manière systématique, c´est à dire avec tout notre corps, et non seulement avec nos yeux, nos oreilles, notre nez ou notre langue. L´Arbre est la métaphore, un système biologique complet à travers lequel on connaît le monde. World Tree est une application autonome écrite en REALBasic.


Colin Beardon Le travail de Colin Beardon englobe arts créatifs et informatique, et se concentre sur l´interaction entre connaissances technique et processus créatif. Il a développé ´Visual Assistant´, un logiciel de création en 3D, et a construit des systèmes mutimédia innovateurs pour des musées. Il s´intéresse désormais au développement de manières de programmer qui s´apparentent à la réalisation de croquis. Il est un membre fondateur de ?Computers in Art & Design Education?, et co-édite le journal ´Digital Creativity?. Après avoir travaillé en Australie, en Angleterre et en Suède, il retourna en Nouvelle Zélande en 2003. Il y détient une chaire de professeur invité au département d´Informatique à l´Université Waikato. Raewin Turner Raewin Turner travaille sur les perceptions au carrefour des sens, et les technologies qui créent une perception extra-sensorielle du monde. Ses travaux comprennent vidéo, couleurs, odeurs et sons pour l´écran, installations et performances live (dont des concerts pour malentendants avec un orchestre symphonique). Ses travaux ont été projetés dans de nombreuses expositions nationales et internationales dont le festival du film de Nouvelle Zélande, Te Papa, Los Angeles MOCA, Canada, Allemagne et Australie. Elle a beaucoup travaillé avec des lumières colorées pour des performances contemporaines lors de tournées internationales en Grande-Bretagne, aux Etats-Unis, au Canada, en Australie et en Europe. Son oeuvre a été publiée dans ?Art, Culture and Biotechnology?, EAF, Australie, et dans ?Performance Research?(On Smell), Royaume Uni.

Dick turner
Catalogue : 2018Totem & Taboo | Performance multimédia | mp4 | couleur | 21:0 | USA | France | 2017
Dick turner
Totem & Taboo
Performance multimédia | mp4 | couleur | 21:0 | USA | France | 2017

Totem and Taboo is an opera/recitative for Video projection, Grand Synthesized Orchestra in Playback, Dancer and Heldentenor. The work is based upon Sigmund Freud's classic text "Totem and Taboo". This book is presented by Freud as an inquiry into incest taboos found in primitive cultures. In fact Freud used the book to give a psychoanalytic hypothesis of the origins of religion. At the end of his book, Freud writes a short but highly colorful chapter describing what he calls "the primal scene" which led to the foundations of all religions: repressed sexual desire, murder and cannibalism. My opera takes Freud's hypothesis and plants it into a real world situation. I call this a "mise-en-chair" meaning literally "a putting into flesh" that is, the incarnation of the idea. I have created a synthesized orchestral version of the score which accompanies a projected video. There is a scene for a dancer which can either be performed live or in projection. The work is sung by a baritone-tenor, the so-called Heldentenor imagined by Richard Wagner. The composer performs this part. The practical needs for a performance are basic: A projector, a sound system and a screen (or simply a white wall) and a microphone. It can be performed on a stage or in a normal room. There are a few simple accessories, flowers, electric candles and a piece of astro-turf.

I was born in Baltimore, Maryland and now live in Paris, France. My work is centered upon the expression of ideas and human freedom. I have composed music since 1977. I have composed around 70 pieces for a large number of ensembles, from solo piano and cello to an opera for 45 individual players, also I have done electronic music performances, improvisation. I have given concerts continually since the early 1980's. I can give you endless examples of recordings. I have painted since 1978. I have hundreds of paintings and have given many expos and been in salons like Montrouge. I am represented by the Gallery Au Fil du Canal in Paris. I'd be happy to send examples of my work. I began making films in 1979. Two of my films have come out in France, in 2012 and 2016.

Joe turpin
Catalogue : 2019You/Gen/Ethics | Vidéo | hdv | couleur | 4:0 | Afrique du sud | 2018
Joe turpin
You/Gen/Ethics
Vidéo | hdv | couleur | 4:0 | Afrique du sud | 2018

(2018) Travail vidéo diffusant l'éthique de la représentation raciale dans le monde numérique et du jeu. Mon emploi / travail en tant que monteur pour la région Afrique dans un jeu vidéo de sport, et en tant qu'artiste apprenant l'agence et la représentation, m'a conduit à créer cette œuvre. Les couleurs et les cheveux d’une liste d’options assignées aux traits du visage africains et asiatiques dans une base de données de création de joueurs sont arbitraires comme une critique d’avoir dit les "options" sélectionnées en premier lieu. La falsification des fonctionnalités se produit avec un audio qui capture les exhalations et les réactions d'un joueur réel à ce jeu pendant qu'il est joué. Cela se produit en anglais puis en français - les deux plus grandes puissances coloniales de l'histoire de l'Afrique. Le titre est une pièce de théâtre sur le mot "eugénisme", qui était une pseudo-science développée en Europe qui avait des visuels et des croyances biologiques distinctifs sur le plan racial.


Joe Turpin est un artiste visuel Sud-Africain. Né à Johannesburg en 1995, Turpin a obtenu son baccalauréat spécialisé en beaux-arts de l?Université de Witwatersrand en 2018. Le travail de Turpin est inspiré par l'histoire, la narration et le symbolisme, où l?idée exige le médium. Turpin a montré son travail à l'échelle internationale dans des expositions et des publications et a participé à des programmes de résidence. Il vit et travaille à Johannesburg.

Charlie tweed
Catalogue : 2018Oporavak | Vidéo expérimentale | hdv | couleur | 4:40 | Royaume-Uni | 0 | 2016
Charlie tweed
Oporavak
Vidéo expérimentale | hdv | couleur | 4:40 | Royaume-Uni | 0 | 2016

Oporovak proposes a methodology for what it calls ‘information recovery and the solving of â integrity problems. Taking its inspiration from data recovery solutions and the language of achieving complete visibility via forms of HD technology and big data the film is part alternative software training video and part the voice of a subversive hybrid machine. It takes the intent of information restoration into a new context with its apparent ability to manipulate all sorts of digital and non-digital materials via its sentient interface and performative actions which apparently can operate at molecular level. The film utilises the voice of an unreliable narrator who acts to draw the viewer in and raise their awareness of inbuilt human desires for clarity and visibility and the desire to develop new forms of technology that can manipulate all sorts of digital and physical materials. The final section of the film looks towards a `sensing mechanism` that has the functionality to manipulate and alter any type of visual material at its source and the capability of connecting with and manipulating the subconscious of its viewers.

Charlie Tweed is an artist and academic based in Bristol, UK. He has a PhD in art practice (Kingston University) and an MFA in art practice (Goldsmiths College). His video, text and performance based works interrogate the affective qualities of digital technologies and their use in the control and management of populations and environments. He employ strategies of re-appropriation and speculative fiction, often taking on personas of anonymous collectives and hybrid machines, to outline subversive plans for enhancing and escaping control mechanisms and renegotiating relations between human and non human.

Pink twins
Catalogue : 2017Overlook | Animation | hdcam | couleur | 5:27 | Finlande | 2017
Pink twins
Overlook
Animation | hdcam | couleur | 5:27 | Finlande | 2017

Impossible architecture, an ancient burial ground and a lure for psychotic janitors were the building blocks of Overlook Hotel in Stanley Kubrick’s The Shining. In this story vignette, chaos animators Pink Twins add zero gravity and a rupture in space-time continuum to the mix and serve a taster of subtle cosmic horror.

Pink Twins is a duo of visual artists and electronic musicians, brothers Juha (b. 1978) and Vesa Vehviläinen (b. 1974), based in Helsinki, Finland. Active as Pink Twins since 1997, their videos work on the crossing of visual art and music. Live Pink Twins deliver improvised digital soundscapes, often combined with video screenings. Pink Twins have shown their works in exhibitions and festivals in all continents and performed audiovisual live shows through Europe, Americas, Asia and Australia.

Salla tykkÄ
Catalogue : 2014Giant | Doc. expérimental | hdv | couleur | 12:47 | Finlande | 2014
Salla tykkÄ
Giant
Doc. expérimental | hdv | couleur | 12:47 | Finlande | 2014

Giant features leading junior team gymnasts of Romania. The film is shot in two boarding schools for artistic gymnastics in Onesti and Deva. A soundtrack of interviews with the gymnasts accompanies images of them training and of empty gymnasiums. Archive film footage starting from 1970s and clips from a feature fiction film shot in the same locations reveal not only a continuity in picturing this sport, but also the structures of recording it.

Salla Tykkä (born 1973) is a visual artist who works with film and video since 1996. She graduated from the Academy of Fine Arts in Helsinki 2003 and participated in the Venice Biennale 2001. Her solo exhibitions include: BALTIC Arts Centre, Gateshead 2013; EX3, Florence, 2011; Hayward Gallery Project Space, London, 2010; Norrköping Art Museum, Norrköping, 2009. She has participated in numerous group shows in museums and public institutions among others: Making Space. 40 Years of Video Art, Musée cantonal des Beaux-Arts, Lausanne, 2013; La La La Human Steps, Istanbul Museum of Modern Art, Istanbul, 2013; 17th Biennale of Sydney, Museum of Contemporary Art, 2010; Momentum, Moss, 2010. Salla Tykkä’s films have been shown at international film festivals like: 36th International Film Festival Rotterdam, Rotterdam, 2007; 21st Brest European Short Film Festival, Brest, 2006; Tribeca Film Festival, New York, 2003; International Short Film Festival Ober- hausen, Oberhausen, 2003 and 2002.

Paula tyliszczak
Catalogue : 2018I feel blue, they sense rose | Installation vidéo | mov | couleur | 9:0 | Pologne | Suisse | 2017
Paula tyliszczak
I feel blue, they sense rose
Installation vidéo | mov | couleur | 9:0 | Pologne | Suisse | 2017

The video "I feel blue, they sense rose" questions the process of seeing by deconstructing the medical gaze. How does science remind us of women`s bodies? How can the appropriation of the female body be documented through medicine and its history? The artist confronted herself with knowledge by working with historical artifacts from the Medical Collection at the University of Zurich. This collaboration gave her the opportunity to explore history on a subjective and interactive level.

Paula Tyliszczak (*1986) grew up in France and Poland and has a background in the Arts and in the Humanities. After completing her Bachelor`s Degree in International Relations at the University of Warsaw, she moved to Switzerland and studied Fine Arts at the Zurich University of the Arts. She later followed a Master`s degree in Contemporary Arts Practice at the Bern University of the Arts. As an interdisciplinary artist, Paula Tyliszczak mainly works with video, sound and language. Guided by her interest in the body as a social construct, she develops works at the interface between art and science, as well as between subjectivity and objectivity.