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TUESDAY 06 MAY
18:00
> Auditorium 200
FAKE CINEMA
Free entrance.
Tilman KÜNTZEL : Bodyguard
Video | dv | color | 0:06:40
Germany | 2007 [•]
Catherine ROSS : Trilling
Video | dv | color | 0:03:52
USA | 2006 [•]
Eddie D : Pas de deux
Video | dv | color | 0:01:55
Pays-Bas | 2007 [•]
Tal AMIRAN : Untitled (band in a studio)
Video | dv | color | 0:02:23
United Kingdom | 2006 [•]
Filipa CESAR : F for Fake
Doc. expérimental | dv | color | 0:19:00
Portugal | 2005 [•]
Antonio CONTADOR : June 8th
Video | dv | color | 0:00:39
Portugal | 2007 [•]
Luke SIECZEK : Phantom
Experimental video | dv | color | 0:06:20
Poland /USA | 2007 [•]
Nisi JACOBS : Yoshiko
Experimental video | dv | color | 0:05:00
USA | 2007 [•]
Tobias DAEMGEN : Duschszenarium
Experimental video | dv | color | 0:01:44
Germany | 2007 [•]
Volker SCHREINER : Cell
Experimental video | dv | color | 0:04:27
Germany | 2007 [•]
Volker SCHREINER : From Afar
Experimental video | dv | color and b&w
| 0:05:25
Germany | 2007 [•]
Nicolas PROVOST : Gravity
Experimental video | dv | color | 0:06:07
Belgium | 2007 [•]
Tilman Küntzel compiles different televised sequences where
politicians and their body guards appear and underlines the relation
of the political discourse with potential danger. Catherine Ross
takes sequences from a televised game and creates two series of
body movements, controlled or clumsy. Eddie D choreographs Dutch
politicians and underlines the recurrences in their speeches. Tal
Amiran films the panoptic set-up for the shooting of a video clip,
a circle of cameras around an empty center. An unexplained but meaningful
situation. Filipa Cesar creates a video on the concept of lying
and truth, on falsification concerning both art and life, choosing
Orson Wells' last film «F for Fake» as a starting point.
Antonio Contador alters a short sequence of Taxi Driver. Luke Sieczek
recomposes two scenes of Tourneur's «La féline»
("The Feline"), irradiated by a cathodic light. Nisi Jacobs
rends a cinematographic homage to Yoshiko, her neighbour and friend,
who left Japan in the 1960s. Tobias Daemgen recomposes Psychose,
in a visual chessboard, and underlines the relationship of editing
to time. Volker Schreiner, with «Cell», offers an ultimate
cinema experience: no more message, only medium, rooms lit by the
white screen of a television like omens of an imminent apocalypse.
In "From Afar" the work of editing becomes literally the
rewriting of a text, from 200 fragments of film on which appear
manuscript notes. Nicolas Provost strips down the archetype of the
cinema kiss and recomposes a long embrace in which the roles dissolve.
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Tilman KÜNTZEL
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Catherine ROSS
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Eddie D
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Tal AMIRAN
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Filipa CESAR
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Antonio CONTADOR
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Luke SIECZEK
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Nisi JACOBS
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Tobias DAEMGEN
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Volker SCHREINER
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Volker SCHREINER
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Nicolas PROVOST
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