2021 Paris Programme
Feb. 26 Feb. 27 Feb. 28
Friday

Feb. 26
21:00

Highlight
Live from Louvre auditorium
Live streaming, from 12pm to 11pm, free access: art-action.org/live_en
3D immersive space, free access: art-action.org/louvre_en

Heinz Emigholz special screening

Heinz emigholz: The Last City | Fiction | hdv | couleur | 100:0 | Allemagne | 2020 see more
Heinz emigholz
The Last City
Fiction | hdv | couleur | 100:0 | Allemagne | 2020

An archeologist and a weapons designer – who, in a prior life, knew each other as a filmmaker and a psychoanalyst – meet at an archeological excavation site in the Negev Desert and begin discussing love and war; a conversation they continue in the Israeli city of Be’er Sheva. The film then proceeds with changing actors in changing roles; a round dance that takes us to the cities of Athens, Berlin, Hong Kong and São Paulo. The characters include: an old artist, who meets his younger self; a mother, who lives with her two grown sons – a priest and a policeman; a Chinese woman and a Japanese woman; a curator and a cosmologist. Their dialogues deal with now obsolete social taboos, generational conflict, war guilt and cosmological musings. The architecture of each of the five cities serves as the third participant in the protagonists' dialogues, and completes their philosophical and metaphysical journeys.


Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series “The Basis of Make-Up”. He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series “Photography and beyond”. He had held a professorship in Experimental Filmmaking at the Universität der Künste Berlin 1993-2013, and co-founded the Institute for Time-based Media and the Art and Media program, there. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: "Krieg der Augen, Kreuz der Sinne" (War of Eyes, Cross of Senses), "Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst" (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), "Normalsatz – Siebzehn Filme" (Ordinary Sentence – Seventeen Films) and "Das schwarze Schamquadrat" (The Black Sqare of Shame) (all four books were published at Verlag Martin Schmitz); “Die Basis des Make-Up (I) and (II)”, “Der Begnadete Meier”, “Kleine Enzyklopädie der Photographie” (Small Encyclopaedia of Photography) and “Die Basis des Make-Up (III)” (in "Die Republik" No. 68-71, 76-78, 89-91, 94-97 and 123-125); "Sense of Architecture" with more than 600 photographs. Heinz Emigholz is a member of the Academy of the Arts in Berlin.


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An archeologist and a weapons designer – who, in a prior life, knew each other as a filmmaker and a psychoanalyst – meet at an archaeological excavation site in the Negev Desert and begin discussing love and war; a conversation they continue in the Israeli city of Be’er Sheva. The film then proceeds with changing actors in changing roles; a round dance that takes us to the cities of Athens, Berlin, Hong Kong and São Paulo. The characters include: an old artist, who meets his younger self; a mother, who lives with her two grown sons – a priest and a policeman; a Chinese woman and a Japanese woman; a curator and a cosmologist. Their dialogues deal with now obsolete social taboos, generational conflict, war guilt and cosmological musings. The architecture of each of the five cities serves as the third participant in the protagonists' dialogues, and completes their philosophical and metaphysical journeys.

Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series “The Basis of Make-Up”. He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series “Photography and beyond”. He had held a professorship in Experimental Filmmaking at the Universität der Künste Berlin 1993-2013, and co-founded the Institute for Time-based Media and the Art and Media program, there. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: "Krieg der Augen, Kreuz der Sinne" (War of Eyes, Cross of Senses), "Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst" (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), "Normalsatz – Siebzehn Filme" (Ordinary Sentence – Seventeen Films) and "Das schwarze Schamquadrat" (The Black Sqare of Shame) (all four books were published at Verlag Martin Schmitz); “Die Basis des Make-Up (I) and (II)”, “Der Begnadete Meier”, “Kleine Enzyklopädie der Photographie” (Small Encyclopaedia of Photography) and “Die Basis des Make-Up (III)” (in "Die Republik" No. 68-71, 76-78, 89-91, 94-97 and 123-125); "Sense of Architecture" with more than 600 photographs. Heinz Emigholz is a member of the Academy of the Arts in Berlin.


Saturday

Feb. 27
18:00

Highlight
Live from Louvre auditorium
Live streaming, from 12pm to 11pm, free access: art-action.org/live_en
3D immersive space, free access: art-action.org/louvre_en

Carte blanche to Laurie Anderson

For her carte blanche, Laurie Anderson dialogues with Sophie Calle, and proposes three films. "No Sex Last Night", by Sophie Calle, "Elsa la rose" by Agnès Varda and "What You Mean We?", which she directed. A unique dialogue between two artists, a dialogue between three works.

Sophie Calle : No Sex Last Night | video | 01:16:00 | France, USA | 1996
Agnes Varda : Elsa La Rose | documentary | 00:16:00 | France | 1965
Laurie Anderson : What You Mean We? | video | 00:25:00 | USA | 1986

Acknowledgments to Galerie Perrotin, Ciné Tamaris and Shaun Macdonald.

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Sunday

Feb. 28
18:00

Highlight
Live from Louvre auditorium
Live streaming, from 12pm to 8pm, free access: art-action.org/live_en
3D immersive space, free access: art-action.org/louvre_en

Carte blanche to Apichatpong Weerasethakul

To close the Paris 2021 edition, Rencontres Internationales Paris/Berlin invites Apichatpong Weerasethakul for a short carte blanche screening. A session about memory, love and resistance.

Mikhail Basov: Short Circuits | Exp. documentary | color | 00:18:41 | Russia | 2020
Apichatpong Weerasethakul: Ashes | Exp. documentary | color | 00:20:00 | Thailand | 2012

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