Catalogue > Un extrait vidéo au hasard

Various neural networks originally conceived to enhance image detail and resolution are iteratively applied to the digitalization of The Arrival of a Train at the Station (Lumière Brothers, 1896). The relationship between reality and realism is affected when these devices generate forms and textures tending to an existing figuration as they seek to identify and reconstitute an original image that in each iteration becomes even more deferred and unrecoverable.

Image and Sound Design (UBA) student interested in the intersection between art, design and technology. He develops his work by investigating the ideological construction behind the images that circulate in the contemporary media landscape, resorting to various media -from video to artificial intelligence, through virtual reality and video games- to propose new forms of perception and participation with screens.