KINKALERI
Esso - improvisazione per tre soggetti
Vidéo danse - dv - couleur - 0:20:00 - Italie - 2001


A dj and two dancers in their lines of boundary and action, showing themselves in motion one at the time. A sound system, two diagonal lines made of faked wood linoleum, two chairs, a light: the essential stage set and its organisation; a tiger in a cage is not the representation of a tiger. With the casing of improvisation what is particular of this event is the team spirit typical of those who in the streets challenge themselves and their accomplices. In this case, the movement and the sound are not immersed in the castration of skilfulness competition but in a chipped dialogue between three persons. Re-approaching "dance" needs a distance from everything which implicate repetition; the objectively flowing of a body, forced in pre-chosen aesthetic forms, appears closed in a system of true composition.To "dance" it is necessary to regain that body and paradoxically to lose it again, feeling inadequate. Taking oneself outside himself through active elements of perception, freeing the spirit and the intellect from the vigilant block of the conscience.
"Esso" is an experiment of improvisation. It develops itself on two very important elements for the choreographic composition: space and time. It doesn't change at all the status but it adds to them a new element: improvisation. What apparently seems a simple performance, or an event, or just a moment of a choreographic work, hides in its folds the artifice of losing oneself; the dancer "speaks" following the flux of the instant. What he is saying is exactly what he is doing: he sustains a space feeding his psychic dynamic towards an outside which simply gives arranged directions: of space and time. The dj testifies the duration, playing sounds in the casualty of compelled hypnotic repetition of always the same tracks. The three subjects involved, experiment each time a new dialogue that finds its coherence in the diversity of each single event. What makes our technical feeling of research stronger is that everything is enunciated though not made visible. Each time inside the same "space" and with the same "time" the material is transforming itself, it becomes "intensity" able to flow from one state to the other, it is never established beforehand but it appears luminous in an ordinary instant, a microscopic vision.

Biographie


Kinkaleri a été fondé en 1995 et a auto-produit les pièces DOOM (mention spéciale du Prix Coréographique International de Bagnolet) et AMRAS en 1995 et 1996, SUPER en 1997 et 1.9cc GLX en 1998.

Kinkaleri wurde 1995 gegründet und hat die Leistungen DOOM und AMRAS 1995 und 1996, SUPER im Jahre 1997 und 1.9cc GLX im Jahre 1998 selbst produziert. 1996 hat DOOM eine Spezialnote von dem Internationalen Preis in Bagnolet bestanden. Kinkaleri hat eine anorganische Berufung, eine Bedingung von ständiger Verblüffung. Die Gegenwart ist als das Gebiet des Extrems betrachtet, wo die passendste Bedingung die Verblüffung ist, wie der Gedächtnisschwund und die Utopie, um anorganisch gegenwärtig zu sein, was den Übergang innerhalb der Ereignisse und die Veränderung in ein spannendes Ding bedeutet. Mit einer solchen Perspektive wählt der Gedanke eine sofortige Basis aus, das heisst, sie bekommt eine aufgedeckte Auffassung. Seit 1995 hat Kinkaleri Leistungen und Installationen in Galerien und Gegenwartskunstemuseen in Italien (Mailand, Bologna, Florenz, Verona, Rom, Palermo) und im Ausland (Deutschland, Frankreich, England, Portugal, Belgien) gemacht. In einer Sprache auf die andere Seite der Adria bezeichnet das Wort "kinkaleri" Nippsachen und das Symbol zeigt das Warenhaus, die Stelle wo man eine Vielfalt von Produkten kaufen kann.

Kinkaleri was given birth in 1995, self-producing the performances " DOOM " and " AMRAS " in 1995 and 1996, " SUPER " in 1997 and " 1.9cc GLX " in 1998. In 1996, " DOOM " has received a special mention from the International Coreographic Prize of Bagnolet. Kinkaleri has an inorganic vocation, a condition of continuous bewilderment. Everyday present meant as territory of the extreme, where the most suitable condition is properly the bewilderment, as loss of memory and utopia in order to be present inorganically, meaning to pass within the events, to transform oneself into a pulsating thing. With such a perspective, the thought settles on a "here and now" basis, that is, it becomes a disclosing outlook. Since 1995, Kinkaleri has performed around Italy (Milan, Bologna, Florence, Verona, Catania, Roma, Palermo) and abroad (Germany, France, England, Portugal, Belgium) inside galleries and museums of contemporary art. In a language on the other side of the Adriatic Sea, the word " kinkaleri " designates the knick-knacks and the sign indicates the emporium, the place where one can possibly provide itself with varied products.