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Kinkaleri
Super
Realised by: Massimo Conti, Gina Monaco, Matteo Bambi, Luca Camilletti,
Cristina Rizzo, Marco Mazzoni - prod: Kinkaleri in co-operation with Toscana
Region / Centre for Contemporary Art Luigi Pecci-Prato / Krypton-Teatro Studio
di Scandicci - Kinkaleri co-operates with the C.P.A. Firenze-sud
SUPER takes for its own form of masochist: the wait. Splitting
into two simultaneous flows is peculiar to the wait at pure state: one represents
what is awaited and that essentially delays, always late, always postponed; the
other standing for something expected as the only entity able to make fall headlong
the arrival of the awaited one. SUPER is a body at wait, a body not going beyond
itself, it is itself and shows itself made of edges, tunnels, shafts, orifices,
caves and folds; the body moves, suspends itself, lends itself to a fragmented
vision allowing so little to an evolution. SUPER is a dazzling world, an incomplete
dazzling light; the structure undergoes pulsations, waves of desire suspended
in wait for a stroke. SUPER cuts out ideal and conceptual spaces of representation;
the structure can stand everywhere: in a field, by the sea, in a theatre, in a
factory, in a supermarket, in a car-distributor warehouse, etc. We allow ourselves
a space, the space adapt us, maybe adopt us and makes us visible. SUPER is a project
facing the will not to have a project, not to have actions, motions, not to achieve
results to offer; Super lets its imagination run away with the ghost of the result
and becomes revolt, suspends the time, denying the action, entrusting its future
to a world of acts and routes.
Waits.
Suspends.
Has got no project.
Is a videogame screen.
Gets started again.
Is artificial.
Suspends the story.
Is rivolt.
Is act.
Is a very lofty stagnation of desire.
Is waiting for the uncoming stroke.
Is "novissimo" brand-new so rear-guard.
Is ill.
Is inorganic.
Whiles away the time.
Is double bottomed.
Is masochist.
Is not-finished.
Stammers, always foreigner.
Has got three mothers.
Has got no father.
Raves, here and now.
Is late, behindhand.
Is deep surface.
Is a strength loop.
Is passed through by waves.
He's late.
There're still thirty seconds before the target.
He thinks of Jane who's sipping her Bloody Mary right now wrapped up in her fur.
He's about to split the numbers upend then putting them together again.
Fifteen seconds more and he can catch a taxi on the run and reach Jane.
He gets up and waits for the fall.
Jane is standing in front of the mirror.
She bends forward now to press the key.
She lights a cigarette.
He presses and breathes.
He's late.
There're still thirty minutes before the appointment.
He thinks of Jane who's sipping her Bloody Mary maybe right now wrapped up in
her fur.
Embalming has got nothing to do with the disacknowledge of reality.
Veneration is not a subproduct of fetishism, and not even vice versa.
The cruelty of nature has got nothing to do with the lack of education.
Perpetual suspension is a subcutaneous psoriasis accelerating the inadequacy.
The display works very well.
The physical stress doesn't foment the biological composition, nor the athletic
result.
The amplifying microcells are not used for bewildering a phonic movement.
Biography has got nothing to do with successions and acquisition of substantives.
Intermittence does not vouch for any priority nor clarify the dark.
The Chinese Great Wall is visible with the naked eye from the moon.
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