Catalogue > At random

Schmutziges Licht (Lichtphon Art-Avant X) An abstract, poetic visual-sound-drama The visual, tonal union and view of transcendent embodiment. A symbiosis of micro-coded, floating light-dust particles, interconnected in cracked soundscapes, layered sound cells, residual impulses and dissecting short-time cuts in noise structures. A self-born symbiotic being - alive through dissolution and constant change in time - Metamorphoses - Schmutziges Licht (Lichtphon Art-Avant X) is transformation in the beauty of decay and nonexistence. In the change of sight and hearing, reality and the levels of being resonate. Form and formlessness become inseparable. The unknown emerges, moves, penetrates into the observer, into us - becomes conscious and existent - Inner perception is infinite - Schmutziges Licht (Lichtphon Art-Avant X) is a multi-layered light-image-sound-vision. An artistic position and poetic exploration of the perception of artificial light and the unknown in the incarnate - of selfhood in an eternally lasting word in silence. On the technical side, the music consists of several hundred audio tracks with thousands of individual sounds. The visual level is based on a self-developed software particle system. There are hundreds of thousands coded pixel points, cross- linked lines and inner networked connections. Micro-audio clips, multi-level, time-independent organic soundscapes and digital visual light codes. Schmutziges Licht (Lichtphon Art-Avant X) is a complex visual sound correlation. Abstract, mysterious, filigree, powerful and subtle at the same time. A German-French co-production by the experimental artists Schahram Poursoudmand (DE) and Yoann Trellu (FR). Note: Schmutziges Licht (Lichtphon Art-Avant X) is created and produced to be played loud and projected in high quality. Please listen to it loud or via headphones. ...the night becomes the day - Light Overload - Schmutziges Licht (Dirty light) is artificial light. Excessive use of artificial light and its misuse (light pollution) on humans and the environment. Fatal consequences through the artificially constructed and manipulated lightening of the night by humans...

Schahram Poursoudmand Music & Sound Art, Composer, Visual Imagist, Poet Schahram Poursoudmand is a German composer, music & sound artist, visual imagist and poet. He creates extraordinary music, sound and visual art of a unique kind. In the avant-garde projects LICHTPHON, ONEVERYMOON, LICHTSCHREI, SHINE and ART-AVANT, he explores and realizes his artistic visions of music, sound, visual image and video art in existential poetry. The creative discovery of beauty through disintegration, dissolution, transformation, recreation and the representation of being and beyond in the transition from existence to non-existence is the essential approach and destination in his artistic passion. Music, sound, image and moving picture is stretched and condensed in form, time and space. Tonal and visual entities, sections and details, become disintegrated through dissolution in themselves and creates new structures, unknown realities and avant-garde elements by further deformation, in the beauty of decomposition. Existence, time, duality, deconstruction, humanism, transcendence, the infinite moment, the unknown, and recreation are some of the themes in his works. Schahram Poursoudmand creates unreal worlds of music, sound, visual art and poetry of strange beauty with unique aesthetics and expression. A surreal and bizarre mystery in music and visual art. „The fascination of renewal after the dissolution. The discovery and changing of time and time states. The artistic deconstruction, the diving into deep micro- and nanostructured soundworlds, as well as the representation of beauty in the creation of existence in nonexistence and new realities are the themes that stirs and fascinates me. Not the clearly audible and visible - but the secret behind the veil.“ * ...another world...an unknown place...an unknown time... * ::::::::::::::::::::::::: ::::::::::::::::::::::::: Yoann Trellu French video artist and software developer based in Berlin. Starts working with live video projections in 1999, Nantes, France. Moves to Berlin in 2003 and starts working with choreographers, creating media environment for stage productions. Yoann Trellu works internationally on numerous stage productions as well as developing his own projects through collaborations with musicians and dancers. His work is mostly abstract and stems from his early photographic work, using the camera and digital tools to alter reality, to extend details and moments into their own world. He considers the computer as a collaborator, able to suggest and create artistic elements. Using controlled randomness and probability is an important aspect of his practice, giving rules, limitations and (unlimited) variations on which to build further.